Professional audio equipment is essential for achieving high-quality sound in various applications such as broadcasting, film production, and live events. This subcategory includes a wide range of devices designed to capture, process, and reproduce sound with exceptional clarity and precision.

Key components of professional audio equipment include:

  1. Microphones: High-quality microphones are crucial for capturing clear and accurate sound. Popular types include condenser, dynamic, and ribbon microphones, each suitable for different recording environments and purposes.

  2. Mixing Consoles: These devices allow audio engineers to blend and adjust multiple audio sources. They come in analog and digital formats, with brands like Yamaha and Behringer being well-regarded in the industry.

  3. Audio Interfaces: These convert analog signals to digital format and vice versa, facilitating high-fidelity audio recording and playback. Focusrite and PreSonus are notable brands in this category.

  4. Monitors and Headphones: Essential for accurate audio monitoring, studio monitors and professional headphones provide a true representation of the sound. Brands like KRK and Sennheiser are known for their reliable monitoring solutions.

  5. Signal Processors: Including equalizers, compressors, and reverb units, these devices shape and enhance the audio signal. Universal Audio and TC Electronic offer high-quality signal processing equipment.

When selecting professional audio equipment, consider factors such as sound quality, compatibility with existing systems, durability, and the specific requirements of your projects. Investing in reliable brands and understanding the technical specifications can greatly enhance your audio production capabilities.

Yamaha CL5

Year: 2015

Second hand mixing console. Input Mixing Channels: 72 mono + 8 stereo Mix Buses: 24 Matrices: 8 (Input to Matrix supported)

Price on request

GR Greece

Bowers & Wilkins 702 S3

Year: 2024

The advanced design of the Bowers & Wilkins 702 S3 can imbue small-group recordings with warmth, but it goes the extra mile to render big performances — symphonies, live concert recordings, etc. — with a level of accuracy and detail that almost rivals being there. The latest version improves on previous iterations with a redesigned tweeter "pod" and a new …

6,000 $

US USA

XICOM XTRD-400C TWTA HPA 400 Watts Audio equipment

Year:

XICOM XTRD-400C TWTA HPA 400 Watts / no more than 600 hours

Price on request

US USA

EV X-Line vlt

Year:

X-line vlt line array element H-V 120x5° dispersion, 3-way tri-amp, 2x15"/2x10"/3x1,5" with external rigging parts per box and dolly Second hand, good condition

Price on request

DE Germany

Midas XL-200 44+4

Year: 1996

FOH console with 44 mono inputs, 4 stereo inputs, 2xPSU, original Packhorse touring case. second hand 1996, good condition

Price on request

DE Germany

Gamble EX-56

Year:

56-8-2 FOH console with TT patchbay patchcables, looms 2 x PSU, flightcase second hand, good condition

Price on request

DE Germany

Used AJA Ki Pro

Year:

Portable file-based HD/SD recorder and player AJA Ki Pro.

Price on request

PL Poland

Ramsa SX-1 48-20

Year: 1999

48-20 FOH/MON console with VCA, littlights, flightcase with bagpack 3x WU-PS 100 Power supply second hand, good condition (3) second hand 1999, good condition

Price on request

DE Germany

Soundcraft Europa

Year: 1998

40-8-2 FOH console with noise gate per ch. 40 mono input, 8 stereo input on master section, 4 matrix 8x8, touring flightcase, 2 x CPS-1000 PSU with switch over redundeny and 10RU rack second hand 1998, good condition

Price on request

DE Germany

Harrison HM-4

Year: 1981

32-8-2 FOH console with unique features, class A full parametric equaliser, with 8 aux send per channel, 8 VCA, 8 mutes, external TT pachbay incl. case and PSU Second hand 1981, good condition

Price on request

DE Germany

Midas H-3000 44TP

Year: 2001

Heritage Series analoge FOH/MON console with 44 mono, 4 stereo inputs, 24 aux send per channel, 12 x VCA, matrix, 2x PSU with switch cable and rack Second hand 2001, good condition

Price on request

DE Germany

AVID S3L-X Set

Year:

set includes: 1x Avid S3L Control Surface, 1x Avid S3L Engine, 1x Avid Stage 16 (16In/8+4Out), 1x Flightcase incl. Touch Display, Desk Panel, Trackball, Keyboard. Second hand, perfect condition

Price on request

DE Germany

Used HHB Portadrive PDR 2000

Year:

1 x HHB Portadrive PDR 2000 1 x PORTADRIVE PDRDC40 40GB HDD Caddy

Price on request

PL Poland

AVID Venue D-Show + Side car

Year:

Packaging Unit: Set includes: 1 x Avid Digidesign D-Show surface with keyboard, screen, trackball, flightcase 1 x Avid Digidesign D-Show Extender (sidecar) with flightcase 1 x Local Rack Plus (no rack) 5 x DSP card 2 x IOx option card 1 x FWX card 2 x Snake card 1 x Mixrack Plus (no rack) 3 x DSP Cards 3 x …

Price on request

DE Germany

Used Panasonic AV-HS400

Year:

The Panasonic AV HS400 Vision Mixer is a HD/SD & DVI multi-format live switcher with built in multiviewer, 3D effects and a host of other advanced features. In addition to the standard wipe patterns, the DVE allows you to squeeze and slide effects and different types of 3D. The multiview display lets you view up to 10 inputs/outputs and split …

Price on request

PL Poland

AVID Venue Profile

Year:

Packaging Unit: Set includes: 1 x Venue Profile surface with flightcase 1 x Local rack 3 x DSP card + additional IOX card 1 x Stagerack with 48in-8out 1 x Multicore 100m with 6 x BNC connector panal Second hand, good condition

Price on request

DE Germany

Yamaha PM1D

Year:

Packaging Unit: Set Set includes: 1 x CS1D - surface, 1 x DSP1D - prozessor, 1 x PW1D - PSU 3 x AI8-ML8 - 16ch A+B Mic/Line input converter 1 x A08-DA8 - 32ch output converter 4 x desklight, 4 x systemcables between prozessor and converter from permanent installation, perfect condition

Price on request

DE Germany

Soundcraft Broadway

Year:

digitally controlled analogue mixing system with separated analogue audio racks, detached digital control surfaces. 80 Input channel with IN A/B, 32 Group/AUX Busses, LCRS Master Routing, 3 PFL Busses, 40 x 20 Output Matrix, 20 VCA Groups, 4 Band fully parametric EQ. Sweepable High/lowcut, switchable Inserts, switchable pre/post EQ. Mic Preamp amd EQ designed by Trevor Stride (Focusrite) any parameter …

Price on request

DE Germany

Used Soundcraft Spirit SX RW 5350

Year:

Spirit SX is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It includes 20 inputs as standard and 18 outputs (including Auxs and Direct Outs). In addition to mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. There are also four …

Price on request

PL Poland

Symphotec OMS Set

Year: 2005

Orchestra Management System incl. 15 x SN1 omnidirectional shortneck microphones, 10 x SN2 bidirectional shortneck microphones, 25 x WS1 windshield caps, 5 x OMS-7 multichannel router 5in-1out, 10 x MF-5 microphone cables 5m. 15 x MF-3 microphone cables 3m. 25 x ST30 short stands 1 x flightcase Second hand, 2005 good condition

Price on request

DE Germany


Professional audio equipment is an essential subcategory within the Broadcast, Film, and Audio industry. This subcategory encompasses a variety of high-end sound equipment used for capturing, enhancing, mixing, and reproducing audio in professional environments such as recording studios, live concerts, broadcast stations, and film production sets. Key elements to consider when selecting professional audio equipment include sound quality, durability, compatibility, and specific use cases.

Types of Professional Audio Equipment

  1. Microphones: Essential for capturing sound, microphones come in various types such as dynamic, condenser, and ribbon microphones, each suited for different recording environments and sound characteristics.
  2. Mixing Consoles: Used to combine, process, and route audio signals. High-end models offer extensive routing options, digital effects, and connectivity.
  3. Audio Interfaces: Convert analog signals to digital for recording on computers, and vice versa for playback. They vary in the number of inputs/outputs and supported resolutions.
  4. Speakers and Monitors: Accurate sound reproduction is crucial in professional settings. Studio monitors are designed to provide a flat frequency response for accurate mixing.
  5. Amplifiers: Boost audio signals to drive speakers. Professional amplifiers ensure clarity and power without distortion.
  6. Headphones: Used for monitoring and mixing. Professional headphones offer superior sound isolation and accuracy.

Key Elements to Consider

  1. Sound Quality: Look for equipment with high fidelity and low noise levels.
  2. Durability: Professional gear should withstand rigorous use and transport.
  3. Compatibility: Ensure the equipment integrates well with existing systems.
  4. Specific Use Case: Choose equipment tailored to the specific needs, such as live performance or studio recording.

Brands and Pricing

  1. Yamaha: Known for reliable and high-quality audio products like the Yamaha PM10 mixing console.
  2. Shure: Popular for their industry-standard microphones such as the SM58 and SM7B.
  3. Sennheiser: Renowned for microphones and headphones used in both studio and live settings.
  4. Neumann: Premium brand known for its high-end studio microphones like the U87.

Prices for professional audio equipment vary widely. For example, a Shure SM58 microphone can cost around $100, while a Neumann U87 studio microphone can exceed $3,000. Mixing consoles range from a few hundred dollars for small analog models to tens of thousands for large digital consoles.

When investing in professional audio equipment, it's crucial to assess the specific needs of your project or environment. The right choice can significantly impact the quality of audio production, whether in a live concert, recording studio, or broadcast station.