Professional audio equipment is essential for achieving high-quality sound in various applications such as broadcasting, film production, and live events. This subcategory includes a wide range of devices designed to capture, process, and reproduce sound with exceptional clarity and precision.

Key components of professional audio equipment include:

  1. Microphones: High-quality microphones are crucial for capturing clear and accurate sound. Popular types include condenser, dynamic, and ribbon microphones, each suitable for different recording environments and purposes.

  2. Mixing Consoles: These devices allow audio engineers to blend and adjust multiple audio sources. They come in analog and digital formats, with brands like Yamaha and Behringer being well-regarded in the industry.

  3. Audio Interfaces: These convert analog signals to digital format and vice versa, facilitating high-fidelity audio recording and playback. Focusrite and PreSonus are notable brands in this category.

  4. Monitors and Headphones: Essential for accurate audio monitoring, studio monitors and professional headphones provide a true representation of the sound. Brands like KRK and Sennheiser are known for their reliable monitoring solutions.

  5. Signal Processors: Including equalizers, compressors, and reverb units, these devices shape and enhance the audio signal. Universal Audio and TC Electronic offer high-quality signal processing equipment.

When selecting professional audio equipment, consider factors such as sound quality, compatibility with existing systems, durability, and the specific requirements of your projects. Investing in reliable brands and understanding the technical specifications can greatly enhance your audio production capabilities.

EV X-Line vls set

Year:

Packaging Unit: Set set includes: 16 x X-line vls line array element H-V 90x5 degree, 3-way tri-amp, 2x15/2x8/3x1,5inch incl. dolly 2 x Grid mainframe for hanging max. 18 elements with all rigging parts. second hand, good condition

Price on request

DE Germany

XICOM XTRD-400C TWTA HPA 400 Watts Audio equipment

Year:

XICOM XTRD-400C TWTA HPA 400 Watts / no more than 600 hours

Price on request

US USA

Midas XL-464 TP

Year: 1999

1 x Midas XL-4 48-16-2 FOH/MON console with 44 x mono, 4 x stereo inputs, 24 aux send per ch. 8 x VCA with OB automation incl. flightcase with bagpack 2 x MIDAS Power supply newly serviced and fully wokable Second hand 1999, good condition

Price on request

DE Germany

Harrison HM-4

Year: 1981

32-8-2 FOH console with unique features, class A full parametric equaliser, with 8 aux send per channel, 8 VCA, 8 mutes, external TT pachbay incl. case and PSU Second hand 1981, good condition

Price on request

DE Germany

MAD A9 planar magnetics surface array

Year: 2005

set includes: 4 x A9 planar magnetics surface array 9 x 4 =36 panals, dispersion 120° cardioid up 120Hz-16KHz, 4000W per unit 4 x flightcase for 1 x A9 ensemble 2 x FB-1 flying bar for up to 16 rows 2 x DF-1 down extention bar Second hand 2005, good condition

Price on request

DE Germany

Gamble EX-56

Year:

56-8-2 FOH console with TT patchbay patchcables, looms 2 x PSU, flightcase second hand, good condition

Price on request

DE Germany

Soundcraft Broadway

Year:

digitally controlled analogue mixing system with separated analogue audio racks, detached digital control surfaces. 80 Input channel with IN A/B, 32 Group/AUX Busses, LCRS Master Routing, 3 PFL Busses, 40 x 20 Output Matrix, 20 VCA Groups, 4 Band fully parametric EQ. Sweepable High/lowcut, switchable Inserts, switchable pre/post EQ. Mic Preamp amd EQ designed by Trevor Stride (Focusrite) any parameter …

Price on request

DE Germany

Yamaha CL5

Year: 2015

Second hand mixing console. Input Mixing Channels: 72 mono + 8 stereo Mix Buses: 24 Matrices: 8 (Input to Matrix supported)

Price on request

GR Greece

Soundcraft Vi6

Year:

Packaging Unit: Set set incl. 1 x Vi6 surface (96 input and 35 x outputs) with flightcase 1 x Local Rack with 3 DSP card, 16 x Line I/O, 16 x AES/EBU I/O RS422 Madi card for redundancy Cat5/7 Core, with rack 1 x Stage Rack, 64 x Mic/Line in, 32 x Line out, RS422 Madi card for redundency Cat5/7 …

Price on request

DE Germany

AVID S3L-X Set

Year:

set includes: 1x Avid S3L Control Surface, 1x Avid S3L Engine, 1x Avid Stage 16 (16In/8+4Out), 1x Flightcase incl. Touch Display, Desk Panel, Trackball, Keyboard. Second hand, perfect condition

Price on request

DE Germany

Yamaha PM1D

Year:

Packaging Unit: Set Set includes: 1 x CS1D - surface, 1 x DSP1D - prozessor, 1 x PW1D - PSU 3 x AI8-ML8 - 16ch A+B Mic/Line input converter 1 x A08-DA8 - 32ch output converter 4 x desklight, 4 x systemcables between prozessor and converter from permanent installation, perfect condition

Price on request

DE Germany

Symphotec OMS Set

Year: 2005

Orchestra Management System incl. 15 x SN1 omnidirectional shortneck microphones, 10 x SN2 bidirectional shortneck microphones, 25 x WS1 windshield caps, 5 x OMS-7 multichannel router 5in-1out, 10 x MF-5 microphone cables 5m. 15 x MF-3 microphone cables 3m. 25 x ST30 short stands 1 x flightcase Second hand, 2005 good condition

Price on request

DE Germany

Midas H-3000 44TP

Year: 2001

Heritage Series analoge FOH/MON console with 44 mono, 4 stereo inputs, 24 aux send per channel, 12 x VCA, matrix, 2x PSU with switch cable and rack Second hand 2001, good condition

Price on request

DE Germany

AVID Venue Profile

Year:

Packaging Unit: Set includes: 1 x Venue Profile surface with flightcase 1 x Local rack 3 x DSP card + additional IOX card 1 x Stagerack with 48in-8out 1 x Multicore 100m with 6 x BNC connector panal Second hand, good condition

Price on request

DE Germany

AVID Venue D-Show + Side car

Year:

Packaging Unit: Set includes: 1 x Avid Digidesign D-Show surface with keyboard, screen, trackball, flightcase 1 x Avid Digidesign D-Show Extender (sidecar) with flightcase 1 x Local Rack Plus (no rack) 5 x DSP card 2 x IOx option card 1 x FWX card 2 x Snake card 1 x Mixrack Plus (no rack) 3 x DSP Cards 3 x …

Price on request

DE Germany

Midas XL-200 44+4

Year: 1996

FOH console with 44 mono inputs, 4 stereo inputs, 2xPSU, original Packhorse touring case. second hand 1996, good condition

Price on request

DE Germany

Ramsa SX-1 48-20

Year: 1999

48-20 FOH/MON console with VCA, littlights, flightcase with bagpack 3x WU-PS 100 Power supply second hand, good condition (3) second hand 1999, good condition

Price on request

DE Germany

Soundcraft Europa

Year: 1998

40-8-2 FOH console with noise gate per ch. 40 mono input, 8 stereo input on master section, 4 matrix 8x8, touring flightcase, 2 x CPS-1000 PSU with switch over redundeny and 10RU rack second hand 1998, good condition

Price on request

DE Germany

EV X-Line vlt

Year:

X-line vlt line array element H-V 120x5° dispersion, 3-way tri-amp, 2x15"/2x10"/3x1,5" with external rigging parts per box and dolly Second hand, good condition

Price on request

DE Germany

Clear-Com Tempest 2400 intercom with 2 x Wireless Beltpacks, Wireless Basestation & 3 x Headsets. Excellent Condition.

Year: 2014

- Clear-Com Tempest 2400 Wirelesss Basestation - 2 x Wireless Belt-packs - 3 x Clearcom Headsets Availability? Available. Price? US$1,000. Shipping via DHL. Buy pays for all shipping and import fees / taxes. Condition? Used but excellent condition. Dismantled or under power? Powers up and runs well. Clear signal and communications with no drop-out over 0.5km. Year of manufacturing? 2013 …

Price on request

HK Hong Kong


Professional audio equipment is an essential subcategory within the Broadcast, Film, and Audio industry. This subcategory encompasses a variety of high-end sound equipment used for capturing, enhancing, mixing, and reproducing audio in professional environments such as recording studios, live concerts, broadcast stations, and film production sets. Key elements to consider when selecting professional audio equipment include sound quality, durability, compatibility, and specific use cases.

Types of Professional Audio Equipment

  1. Microphones: Essential for capturing sound, microphones come in various types such as dynamic, condenser, and ribbon microphones, each suited for different recording environments and sound characteristics.
  2. Mixing Consoles: Used to combine, process, and route audio signals. High-end models offer extensive routing options, digital effects, and connectivity.
  3. Audio Interfaces: Convert analog signals to digital for recording on computers, and vice versa for playback. They vary in the number of inputs/outputs and supported resolutions.
  4. Speakers and Monitors: Accurate sound reproduction is crucial in professional settings. Studio monitors are designed to provide a flat frequency response for accurate mixing.
  5. Amplifiers: Boost audio signals to drive speakers. Professional amplifiers ensure clarity and power without distortion.
  6. Headphones: Used for monitoring and mixing. Professional headphones offer superior sound isolation and accuracy.

Key Elements to Consider

  1. Sound Quality: Look for equipment with high fidelity and low noise levels.
  2. Durability: Professional gear should withstand rigorous use and transport.
  3. Compatibility: Ensure the equipment integrates well with existing systems.
  4. Specific Use Case: Choose equipment tailored to the specific needs, such as live performance or studio recording.

Brands and Pricing

  1. Yamaha: Known for reliable and high-quality audio products like the Yamaha PM10 mixing console.
  2. Shure: Popular for their industry-standard microphones such as the SM58 and SM7B.
  3. Sennheiser: Renowned for microphones and headphones used in both studio and live settings.
  4. Neumann: Premium brand known for its high-end studio microphones like the U87.

Prices for professional audio equipment vary widely. For example, a Shure SM58 microphone can cost around $100, while a Neumann U87 studio microphone can exceed $3,000. Mixing consoles range from a few hundred dollars for small analog models to tens of thousands for large digital consoles.

When investing in professional audio equipment, it's crucial to assess the specific needs of your project or environment. The right choice can significantly impact the quality of audio production, whether in a live concert, recording studio, or broadcast station.